Skip to header Skip to main content Skip to footer
Helpful Village logo
Add me to your mailing list
Youtube channel Facebook page
Header image for Pasadena Village showing nearby mountains and the logo of the Pasadena Village

Blog archive

November 2024

October 2024

ARBORIST WALK: NOT FOR TREE HUGGERS ONLY!
10/29/2024

Bill Wishner: Visual Hunter
10/29/2024

Can a Village Group Fix Our Healthcare System?
10/29/2024

Community Board Directors Strengthen Village Board
10/29/2024

Connecting with Village Connections: The A, B, C, & D’s of Medicare @ 65+
10/29/2024

Grief is a Journey: Two Paths Taken
10/29/2024

Message from the President
10/29/2024

Promoting Informed & Involved Voters
10/29/2024

What Will Be Your Legacy?
10/29/2024

1619, Approaching the Election...
10/27/2024

Beyond and Within the Village - A Star is Born
10/17/2024

Happiness by Priscilla Leonard
10/11/2024

Those Winter Sundays by Robert Hayden
10/11/2024

Unpainted Door by Louise Gluck
10/11/2024

In the Evening by Billy Collins
10/10/2024

Wild Geese by Mary Oliver
10/10/2024

Betty Kilby, A Family History
10/01/2024

Betty Kilby, A Family History
10/01/2024

Betty Kilby, A Family History
10/01/2024

September 2024

August 2024

1619 Wide Ranging Interests
08/19/2024

1619 Wide Ranging Interests
08/19/2024

First Anniversary
08/19/2024

Alexandra Leaving by Leonard Cohen
08/16/2024

Muse des Beaux Arts by W. H. Auden
08/16/2024

The God Abandons Antony by Constantinos P. Cavafy
08/16/2024

Ch – Ch – Ch –Changes
08/15/2024

Cultural Activities Team offers an ‘embarrassment of riches’
08/15/2024

Engaging in Pasadena Village
08/15/2024

Future Housing Options
08/15/2024

Message from the President
08/15/2024

There Are Authors Among Us
08/15/2024

Villagers Welcome New Members at the Tournament Park Picnic
08/15/2024

Do Not Go Gentle Into That Good Night by Dylan Thomas
08/14/2024

A narrow Fellow in the Grass by Emily Dickinson
08/13/2024

Haikus
08/13/2024

One Art by Elizabeth Bishop
08/13/2024

Poem 20 by Pablo Neruda
08/13/2024

Still I Rise by Maya Angelou
08/13/2024

Trees by Joyce Kilmer
08/13/2024

July 2024

June 2024

May 2024

Emergency Preparedness: Are You Ready?
05/28/2024

Farewell from the 2023/24 Social Work Interns
05/28/2024

Gina on the Horizon
05/28/2024

Mark Your Calendars for the Healthy Aging Research California Virtual Summit
05/28/2024

Meet Our New Development Associate
05/28/2024

Putting the Strategic Plan into Practice
05/28/2024

Washington Park: Pasadena’s Rediscovered Gem
05/28/2024

Introducing Civil Rights Discussions
05/22/2024

Rumor of Humor #2416
05/14/2024

Rumor of Humor #2417
05/14/2024

Rumor of Humor #2417
05/14/2024

Rumor of Humor #2418
05/14/2024

Springtime Visitors
05/07/2024

Freezing for a Good Cause – Credit, That Is
05/02/2024

No Discussion Meeting on May 3rd
05/02/2024

An Apparently Normal Person Author Presentation and Book-signing
05/01/2024

Flintridge Center: Pasadena Village’s Neighbor That Changes Lives
05/01/2024

Pasadena Celebrates Older Americans Month 2024
05/01/2024

The 2024 Pasadena Village Volunteer Appreciation Lunch
05/01/2024

Woman of the Year: Katy Townsend
05/01/2024

April 2024

March 2024

February 2024

January 2024

Haikus

By Jim Hendrick
Posted: 08/13/2024
Tags: haiku

 

Haiku

Traditional and structured, this short form of Japanese poetry is well-known for its rule of 5/7/5: five syllables in the first line, seven in the second, and five again in the third. Haikus are known for their ability to paint a vivid picture in just a few words. A practice of artistic discipline, their minimal nature forces writers to pare down to only the essentials—making each word, or even syllable, count.

 

“The Old Pond” by Matsuo Bashō

An old silent pond

A frog jumps into the pond—

Splash! Silence again.

 

This traditional example comes from Matsuo Bashō, one of the four great masters of Haiku. Historically, haikus are a derivative of the Japanese Hokku. Hokkus are collaborative poems which follow the 5/7/5 rule. They are meant to comment on the season or surroundings of the authors and create some sort of contrasting imagery separated by a kireji or “cutting word” (like “Splash!”).

 

“A World of Dew” by Kobayashi Issa

A world of dew,

And within every dewdrop

A world of struggle.

 

Though sometimes, the kireji comes at the end of a haiku to give it a sense of closure. Kobayashi Issa, another great Haiku master, writes this stirring poem that places the kireji at the end. Translated, Issa’s haiku doesn’t meet the 5/7/5 rule, but its power remains.

 

“Lighting One Candle” by Yosa Buson

The light of a candle

Is transferred to another candle—

Spring twilight

 

Haikus focus on a brief moment in time, juxtaposing two images, and creating a sudden sense of enlightenment. A good example of this is haiku master Yosa Buson’s comparison of a singular candle with the starry wonderment of the spring sky.

Blogs Topics Posts about this Topic